Solos (without electronics):

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Two Zones - For solo piano (2026): Approximately 5 minutes
-Commissioned by pianist Mingyu Xie and premiered on April 29, 2026

Learned Language - For solo cello (2026): Approximately 10 minutes
-Commissioned by cellist Xuehui Yu and pending premiere in spring 2026


The Things Left Behind - For Solo oboe (2024): Approximately 10 minutes

-Commissioned by oboist Eliza Geer and pending premiere in summer 2024

Etudes for the Modern Piano - For Solo Piano (2023): Approximately 20 minutes

-Written for the students of Stephen Drury and played as part of a final in class (December 2023)

A Turning Point - For Solo Cello (2023): 7 minutes - Score

-Commissioned by the SoundSCAPE Composition and Performance Exchange and premiered by Peter Ko on July 7, 2023 - Recording

-Performed by Miruna Eynon (September 26, 2023) - Recording

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Re | Run – Solo Piano (2022): 6 minutes - Score
-Commissioned by the Impulse New Music Festival and premiered by Aron Kallay on September 3, 2022

- Recording

Ebb and Flow – Oboe and Resonant Piano (2022): 10 minutes - Score
-Written for oboist Tom Lacy and premiered on March 2, 2022  - Recording
-Performed by Corrine Foley (September 27, 2022) - Recording

519 – Solo Suona (2021): Indeterminate - Score
-Written for Kwan Leung Ling and premiered on November 13, 2021 - Recording

Press – Solo Violin (2021): 6.5 minutes - Score
-Premiered by Michael MacLaughlin on January 27, 2022 - Recording
-Performed by Nozomi Murayama (February 14, 2023) - Recording

Steel In Suspension – Prepared Piano (2021): Approximately 15 minutes - Score

Hyper/Space – Solo Percussion (2019): Approximately 12 minutes
-Premiered by James Taylor on November 13, 2021 - Recording

Solace in A Minor – Solo Guitar (2017)

Solos (with electronics):

Anti-solo – For electric guitar and prepared amplification (2025): Approximately 50 minutes


-Premiered by Austin Engelhardt on November 17, 2025
-Performed by Austin Engelhardt on March 13, 2026
-Performed by Austin Engelhardt on March 31, 2026
-Performed by Austin Engelhardt on April 4, 2026
-Performed by Austin Engelhardt on April 20, 2026

Talk to Each Other – For feedback and percussion (2025): 30-45 minutes
-Written for Michael Calamas and premiered on May 8, 2025
-Recorded by Michael Calamas and Austin Engelhardt on May 12th, 2025
 

I Want No Mercy, I Will Have No Mercy – For trombone and electronics (2025): 5-7 minutes
-Written for Noah Perkins and pending premiere

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An Alms – For solo percussion and Electronics (2021): 10 -12 minutes - Score
-Premiered by James Taylor on May 5, 2021 - Recording
-Performed by James Taylor (November 13, 2021) - Recording
-Published by Turnsōl Editions

The Bell of My Trumpet – Trumpet in C and Electronics (2020): 10 minutes - Score
-Premiered by Sam Wells on November 5, 2021 - Recording
-Performed by Trevor Webb (November 13, 2021)

Time-Line – Bass Clarinet and Electronics (2019): 12 minutes - Score
-Premiered by Rosabelle Tongxiao Zhou on November 13, 2021 - Recording

Duos (without electronics):

By Coincidence – For suona duo (2022): Approximately 5 minutes
-Written for Yahzi Guo & Kwan Leung Ling, premiered on March 3, 2022 - Recording

Being Kirk – For flute and piano (2018): 5.5 minutes

The Marvelous Misadventures of the Common Household Roomba – Clarinet and Piano (2017): 9 minutes
-Read by Newear Contemporary Chamber Ensemble (2018)

Duos (with electronics):

Introspection Canon – For any instrument with string and live electronics (2024): Indeterminate
-Written for Bassist Benedict Koh and premiered on April 30, 2024 - Recording

Gutai – For piano and live electronics (2024): Indeterminate - Score
-Written for pianist Hidemi Akaiwa and premiered on April 16, 2024 - Recording
-Performed by Hidemi Akaiwa & Austin Engelhardt (May 4, 2024)
 - Recording

-Performed by Hidemi Akaiwa & Austin Engelhardt (May 8, 2024) - Recording
-Performed by Hidemi Akaiwa & Austin Engelhardt (March 22, 2025) - Recording
-Performed by Hidemi Akaiwa & Austin Engelhardt (April 6, 2025) - Recording

Noise Box – For alto saxophone and live electronics (2023): 18-20 Minutes - Score

-Commissioned by saxophonist Don-Paul Kahl and premiered on March 27, 2023 - Recording

Ensembles (without electronics):

Apollo Amerika – For five high voices (2026): Approximately 4 minutes 
-Premiered by Elizabeth Bates, Sarah Brailey, Eliza Bagg, Rachel Calloway, and Kirsten Sollek on March 19, 2026



Megalith – For five voices of any type (2023): Approximately 8 minutes - Score

-Premiered by Jackie Hu (Conductor), Shiyu Zhuo (Voice), Chihiro Asano (Voice), Anouk Chemla (Voice),

Yifei Zhou (Voice), Baian Chen (Voice) on March 27, 2024 - Recording

Divergence - For Voice, Flute, and Double Bass (2023): 1 minute - Score

-Written for Regina Stroncek (Voice), Pavana Karanth (Flute), Javier Avendano (Bass) and premiered on

June 20, 2023 - Recording

Dissatisfaction - For an amplified quartet of Baritone Voice, Trumpet in C, Trombone, and Bass Clarinet (2023): Approximately 7 minutes

-Commissioned by the Longy Divergent Studio and premiered by the Loadbang Ensemble on June 24, 2023

- Recording

Dead Trees – For String Quartet (2022): 9 minutes - Score

-Premiered by The Shimmer Quartet; Nozomi Murayama (Violin), Theresa Katz (Violin),                             Nicolette Sullivan-Cozza (Viola), Miruna Eynon (Cello) on May 2, 2023 - Recording

Break Those Bones Whose Sinews Gave it Motion – For a mixed quartet of Clarinet, Flute, and Two Percussionists (2020): 9 minutes - Score
-Premiered by Anya Pogorelova (Conductor), Giuseppe Gallo-Balma (Flute), Rosabelle Tongxiao Zhou (Clarinet), Nobu Hagiya (Percussion), and James Taylor (Percussion) on November 13, 2021 - Recording

It Rains – Two Pianos and Two Percussionists (2020): 20 minutes

Fractured – Piano, Violin, and Cello (2019): 8 minutes
-Read by Newear Contemporary Chamber Ensemble (2019)

Woodwind Quintet No. 1 – Woodwind Quintet (2017): 6 minutes

Temporal Averaging Mechanism – String quartet (2016): 5.5 minutes

 

Ensembles (with electronics):

 

The Physical Urge – For mixed quintet of Tenor Voice, Saxophone, Violin, Cello, Percussion, and Live Electronics (2024): Approximately 8 minutes

-Commissioned by the Southern Exposure New Music Series and premiered by The Collective; Antoin Marshall (Voice), Nick Muellner (Saxophone), Korcan Kostuk (Violin), Hillary Flowers (Cello), Michael Calamas (Percussion), Austin Engelhardt (Electronics) on November 15, 2024 - Recording

Works for open instrumentation & purely graphic scores:

4x5 - For 5 or more instruments (open score) (2025): Indeterminate
-Written for Miguel Calleja & Douglas Temples and premiered on February 16, 2025

Ocean Noise - For any solo instrument or small ensemble and electronics (graphic score) (2024): about 6 minutes
-Premiered by Austin Engelhardt on December 4, 2024
-Performed by Austin Engelhardt & Nick Muellner (February 21, 2025)


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Composition 52 - A musical card game for any small ensemble (card game) (2024): Indeterminate

Paths - For any solo instrument or ensemble (graphic score) (2024): Indeterminate - Score

The Color & Space - For any solo instrument and electronics (graphic score) (2023): Indeterminate - Score

-Written for Victoria Yuan and premiered on July 12, 2023 - Recording

Book II - For any solo instrument or ensemble (graphic score) (2023): Indeterminate - Score for purchase
-Selections premiered by Issac Villaroya (August 17, 2023) - Recording
-Published by Turnsōl Editions

Book I - For any solo instrument or ensemble (graphic score) (2023): Indeterminate - Score for purchase
-Full book premiered by Austin Engelhardt on May 17, 2023
-Selections performed by Issac Villaroya (August 17, 2023) - Recording
-Performed by Kwan Leung King & James Taylor (February 9, 2024) - Recording
-Performed by Tim Harte (February 9, 2024)

-Published by Turnsōl Editions

TV-MA - Duet for any two instruments (graphic score) (2023): Indeterminate - Score

-Premiered by Corinne Foley & Honor Hickman on May 17, 2023

3…2…1… - For 3 or more instruments (open score) (2021): Indeterminate - Score
-Premiered by the UMKC IMP Ensemble (David Wéi Dài, Conductor) on April 29, 2021 - Recording

-Performed by the UMKC IMP Ensemble (Nicholas Perry Clark, Conductor) (November 13, 2021) - Recording

-Performed by the UMKC IMP Ensemble (Kwan Leung Ling , Conductor) (November 19, 2021)
-Published by Turnsōl Editions

Orchestra/Large ensemble:

Rain on a Thin Metal Roof – Orchestra (2021/2023): 8 minutes - Score
-Version 1 read by UMKC Orchestra (Jacob Schnitzer, Conductor) on February 14, 2022

-Version 2 read by The New England Conservatory of Music's Orchestra (Hugh Wolff, Conductor) on May 3, 2023 - Recording

M. – Chamber Orchestra and Piano (2019): 8 minutes

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Sound art Works:

Woven Sound: An Evening of Non-retrievable Music - Using sound to transform the way an audience perceives visual art (2026): About 90 minutes

    Woven Sound was conceived and presented as an immersive, site-specific performance exploring how sound reshapes the audience’s experience of visual art. Premiered at the 701 Center for Contemporary Art in Columbia, South Carolina on May 13, 2026, in collaboration with the exhibition By Hand & Machine, the project featured a small ensemble (7 musicians) integrated throughout the gallery to create a surrounding sonic environment inspired by the works of six textile artists: Kristy Bishop, Amalia Galdona Broche, Catharine Ellis, Amy Putansu, Jon Eric Riis, and Christine Tedesco. Musical material was developed through prior study of the exhibited works alongside real-time improvisation, establishing a dialogue between static visual media and evolving sound. The performance emphasized perceptual transformation, accessibility beyond the concert hall, and innovative forms of audience engagement within a contemporary art space.
-Premiering musicians: Austin Engelhardt, Geordan Raisler, Nick Muellner, Cody Raymes, Shelby Miller, Taylor Klonowski, Gabriel Newvine

Visual Music - Community painting with sound waves and vibration (2025): No specific duration

    Visual Music reimagines how we experience and create music by merging live performance with visual art. The performance expands music-making beyond the traditional concert hall, inviting participants to engage with sound as both an auditory and physical force. The performance explores the intersection of sound and visual art through the “sonic painting” process. Canvases were placed on top of speakers that amplified live music, allowing sound waves to vibrate the surface as participants applied paint directly onto the canvases. The resulting movement of pigment visually captures the energy of the performance- transforming sound into color, rhythm into motion. In this way, all participants are equally involved in the artistic process. 
-Premiered at the Russel House in Columbia South Carolina on November 7, 2025. 
-Performed as part of the Southern Exposure Gala (March 21, 2026)